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Kamis, 23 Juni 2011

Download Florid Victorian Ornament (Lettering, Calligraphy, Typography), by Karl Klimsch

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Florid Victorian Ornament (Lettering, Calligraphy, Typography), by Karl Klimsch

Florid Victorian Ornament (Lettering, Calligraphy, Typography), by Karl Klimsch


Florid Victorian Ornament (Lettering, Calligraphy, Typography), by Karl Klimsch


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Florid Victorian Ornament (Lettering, Calligraphy, Typography), by Karl Klimsch

From the Back Cover

Do you want intricate and convoluted scrollwork for a poster or newspaper ad? Are you looking for an ornate floral design for your decoupage? Are you into collage or boxes filled with mementos from the recent, florid past? Or do you want to make Victorian greeting cards or bookplates like those you found in your great-grandfather's books? You'll find designs for these and a multitude of other imaginative projects in this rich and impressive collection overflowing with remarkable Victorian ornament. Klimsch's exceptional quality of rendering these designs, his use of clean lines, shading, and three-dimensional effects in the most complex ornaments, is truly remarkable. He captures the Victorian love of the fantastic and exotic, of a riotous imagination that is ultimately controlled and ordered. These examples of Victorian ornamentation are among the very best that can be found today. Florid Victorian Ornament contains more than 700 metal-engraved designs on 102 plates: borders, frames, corners, leaves, scrollwork, strapwork, rosettes, escutcheons, and cartouches in varied sizes and styles. There are floral motifs: leaves, flowers, vines, wreaths, and vases filled with incredibly ornate, ever-spreading, ever-germinating greenery. There are intricate geometric patterns: Greek frets, interlocking circles, squares, triangles, rectangles, rococo extravagances, curlicues beyond description. And there are the perennial lions, swans, serpents, heads, hats, helmets, vegetables, innocent waifs, lovers, and healthy, overripe women.From this vivid collection commercial artists, craftspeople, and designers will find numerous designs they can readily use in advertising and graphics work or for their own personal enjoyment. And if you are a lover of Victoriana, grab this book and revel in excess.

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Product details

Series: Lettering, Calligraphy, Typography

Paperback: 112 pages

Publisher: Dover Publications; New edition edition (June 1, 1977)

Language: English

ISBN-10: 0486234908

ISBN-13: 978-0486234908

Product Dimensions:

8.3 x 0.2 x 10.8 inches

Shipping Weight: 4.8 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#802,494 in Books (See Top 100 in Books)

Florid Victorian Ornament (Dover Pictorial Archives)I do firearms engraving - and out of 50+ Dover books, this book MAY have the most bent and coffee stained pages on it, and I've bought perhaps 4 to 6 copies over the past 10-12 years. The Dover collections are astounding in their breadth and scope. Early on this was one of the few "Florid" books of design I could find. (One on flowers had just gone out of print so forget the borders of intertwined flowers and vines, so sometimes you have to `grab them while they are hot', this is not that kind of book, It's been around since dirt was gray. Some designs are so intricate they look like they are colored. The size of the design can be shrunk or enlarged by using the copier on your printer or scanner. Transfer is easy once you learn the liquid that takes the ink off the paper, usually Alcohol, Xylene, or toluene. With Photoshop you can flip designs so corners are going the right direction and you can assemble the entire design in one piece before you put in on what ever you are going to engrave. With the CD this is a bit easier and saves a step. And, best of all, you'll never be caught `stealing' (or steeling) someone's design - they are free for use!Victorian art - the age of opium and Amaranth and paregoric and TB. And it shows in the unexpected turn of line, the arc of the curve, the closeness and width of the lines which suggest both shadow and color, an age when Beauty was considered PART of the function of an item. Just look at their iron work - gates, fences, coffee grinders, wood stoves, valves and valve-gates that no one would ever see -- all metal poured into molds that were as pleasing to work with as to just sit and look at. Just look at a valve handle to see the difference: why use a straight line from the center to the circumference when that space could hold, as a water valve at my uncles, `S' curves with alternating roses and a trumpet like flower - morning glory or Trumpet vine - between the S curves, and the bolt that held the handle to the stem had round open fever-few or daisy's on the top and struck in the sides. The casing of the valve was an open Trumpet or Morning glory or Lilly that `held' the entire lower bib as if the bib was a stamen arising from the center of the flower. A simple stand pipe valve full of flowers set in a garden. As was the gate valve. An age of Beauty and Function. Even 130 years rusty and needing new leather gaskets - until a renter destroyed it with a pipe wrench rather than planting mint or other water loving, mud loving plant around the base that could be used to use the few drops a minute that oozed from the valve stem.I sure thought I'd reviewed this book before, but trust me, if you work in wood-inlay, fine carving, or hard metal engraving and want to get the flavor of the Dover Editions This is the book. Heck, even if you engrave soft metals like Brass, Silver, Bronze for belt buckles this is the same - a place to start on intricate designs for the pen-and-ink challenged. THIS is the book to grab, it gives you a VERY good representative idea of what their other books are like.I have found their `lettering' books to be of nearly no use at all, or their `advertising banner' books, but when you need that little swirl or flourish in a corner or a corner that is more than a simple `wheat' or `wire' pattern, this book will give you pages of ideas. I know that I've found ways to `attach' links of a hat band within a design itself, but I'm not a jeweler. I have even used this book to engrave western leather holsters using dull hard metal engravers, and have done several belts for friends who belong to the Single Action Society or who shoot `cowboy' style. I have not always been pleased with the results, because I don't work in leather, but I've gotten referrals that I've had to turn away, friends only in case I mess up.HINT: LOOK FOR WORDS LIKE `FLORID', `INTRICATE' AND `ASTOUNDING' and you probably won't go wrong - for `work books' or for coffee table books. Sometimes a single page can take you a good ten t twenty minutes to fully appreciate. Non engravers will wonder HOW DO THEY DO THAT!? And so will many engravers. I have, many times.I see they are coming out with out of print books and some newer ones that I'll be grabbing very soon (remember what I said about in-and-out of print, so if you see one you like, grab it, there may be only one edition and when it's gone it's gone). I own perhaps 50-70 Dover books, many on loan to other engravers or artists to inspire from or copy from, and this is one that I never loan and return to with regularly. Hint: you won't find them much cheaper on E-bay - they stay in the one to three dollar range, then jump to nearly full price a minute or two before auction end, then add shipping, and you could buy one or two more and get free shipping from Amazon. It's only worth it for out-of-print books, and even then, the prices reflect what your local book store can get them for. So support your local book dealer when you can.While this is a `working' book, that is it sits on my bench shelf with Meeks "The Art of Engraving" and R. L. Wilson's books showing what's been done to Colts and Winchesters and "steel Canvas" Steel Canvas: The Art Of American Arms to give me ideas it would make an astonishing `coffee table book' alone, and costs a fraction of The Atlantic, New Yorker, etc - a few of these together will bring often silent astonishment in their detail. Book after book. Many a cold rainy afternoon I've sat before a fire and gone through these books like old friends - and each time I see something different, or a different way to so something.I've even sent a few of these to fellow engravers as a thank you for help in difficult situations, or when trying something beyond my current level of ability or assuring me that I was NOT doing anything wrong with a particular pistol or rifle, their metals were just that way - with the CD - because as one knife engraver pointed out - "Sheesh! Paul, EVERYONE has this book!" but not with the CD they don't. And, of course, as is often the case, you start out with part of a design, and THEN your own talent takes over, and you can barely recognize the original lines that started you.A sure cure to `engravers block" when you just can't strike that first blow or draw that first line. I am sure the same is true for Graphic Artists everywhere - though I suppose the line between `graphic artist' and engraving is fuzzy at best, I never consider myself an artist - As my Master once said, Artists create entirely new ways and perspectives, artisans follow - I'm happy that I can be an artisan. And Thank God for books like this and companies like Dover!

This is a good recopilation of designs that include the florist, cubist and intricate crest designs of victorian period. They have no information of who drew them or where they came from but the quality of the drawings is superb maybe even too elaborate for some people.It's a very complete book that features scrolls, frames, illustrations and simple decorations, most may not be suitable for stencils because of their exagerated amount of details, details are the thing of this book, though there are still enough designs to be made stencils.Overall this is a good purchase for the amount of designs in relation to the price.

I am relief and gun stock carver. I expected something more inspiration from this book - honestly I found just e few only. Victorian style is a concept and learning that concept from this book is no possible. You can see many examples also for my purpose I could not utilized them.Maybe for somebody else with different expectations can be fine.

Nice

Great source of design and inspiration. For several fields of application in Arts and craftsmanship.!! Very pleased.!! Very fast shipping...😉

Awesome book. Exactly what I wanted.

great book, was hoping for more pictures

Wonderful inspiration! Great royalty free graphics, just what I needed.

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Kamis, 02 Juni 2011

Ebook Free InuYasha, Vol. 46By Rumiko Takahashi

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InuYasha, Vol. 46By Rumiko Takahashi

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InuYasha, Vol. 46By Rumiko Takahashi

Historical action and romance from one of Japan’s most beloved creators!

R to L (Japanese Style). Historical action and romance from one of Japan’s most beloved creators!

Kagome, a modern-day high school girl, is pulled into Japan's ancient past! There, her destiny  is linked to a dog-eared half demon named Inuyasha. Together, they battle evil demons who seek to acquire the shards  of the legendary Shikon Jewel and wield its incredible power. But can Kagome and Inuyasha stop feuding with each other  long enough to save the feudal or modern world--let alone both?Lost Love__Inuyasha dreams of the day half a century ago when Kikyo, the priestess he once loved and unknowingly betrayed, perished. Then Kagome is forced to watch a vision of the moment the two parted ways. Now the living Kikyo is in desperate danger, and only Kagome can save her!

  • Sales Rank: #990299 in Books
  • Brand: VIZ Media LLC
  • Published on: 2010-03-09
  • Released on: 2010-03-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x .60" w x 7.50" l, .39 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Great product!

About the Author
The spotlight on Rumiko Takahashi's career began in 1978 when she won an honorable mention in Shogakukan's annual New Comic Artist Contest for Those Selfish Aliens. Later that same year, her boy-meets-alien comedy series, Urusei Yatsura, was serialized in Weekly Shonen Sunday. This phenomenally successful manga series was adapted into anime format and spawned a TV series and half a dozen theatrical-release movies, all incredibly popular in their own right. Takahashi followed up the success of her debut series with one blockbuster hit after another--Maison Ikkoku ran from 1980 to 1987, Ranma 1/2 from 1987 to 1996, and Inuyasha from 1996 to 2008. Other notable works include Mermaid Saga, Rumic Theater, and One-Pound Gospel. Takahashi won the Shogakukan Manga Award twice in her career, once for Urusei Yatsura in 1981 and the second time for Inuyasha in 2002. A majority of the Takahashi canon has been adapted into other media such as anime, live-action TV series, and film."

The spotlight on Rumiko Takahashi's career began in 1978 when she won an honorable mention in Shogakukan's annual New Comic Artist Contest for Those Selfish Aliens. Later that same year, her boy-meets-alien comedy series, Urusei Yatsura, was serialized in Weekly Shonen Sunday. This phenomenally successful manga series was adapted into anime format and spawned a TV series and half a dozen theatrical-release movies, all incredibly popular in their own right. Takahashi followed up the success of her debut series with one blockbuster hit after another--Maison Ikkoku ran from 1980 to 1987, Ranma 1/2 from 1987 to 1996, and Inuyasha from 1996 to 2008. Other notable works include Mermaid Saga, Rumic Theater, and One-Pound Gospel. Takahashi won the Shogakukan Manga Award twice in her career, once for Urusei Yatsura in 1981 and the second time for Inuyasha in 2002. A majority of the Takahashi canon has been adapted into other media such as anime, live-action TV series, and film."

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InuYasha, Vol. 46By Rumiko Takahashi PDF

InuYasha, Vol. 46By Rumiko Takahashi PDF

InuYasha, Vol. 46By Rumiko Takahashi PDF
InuYasha, Vol. 46By Rumiko Takahashi PDF